There is no universal answer to these questions.
In Transsibirische Bahn, a film created in 1970, Beuys performed for the camera, or for the film that would be made out of the footage.
In I Like America and America Likes Me, by contrast, he was aware of the camera’s presence, but his focus was on the action itself.
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Im Film Transsibirische Bahn aus dem Jahre 1970 hat Beuys für die Kamera bzw. für die filmische Verarbeitung gehandelt.
In I Like America and America Likes Me war er sich der Präsenz der Kamera zwar bewusst, hier stand aber die Aktion selbst im Vordergrund.
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