Michael Moser transforms the instruments into loudspeakers to which he applies sound-converter bodies, thus creating offset spatial depth.
In Martin Brandlmayr ’ s piece , the instrumental improvisations are recorded and played back in spatial variations such that the musicians repeatedly respond anew to what they have themselves played and that which has just been produced .
Werner Dafeldecker uses recordings of a blizzard he experienced in the Antarctic.
on1.zkm.deMichael Moser verwandelt die Instrumente in Lautsprecher, indem er Körperschallwandler appliziert und schafft so eine räumliche Tiefenstaffelung.
In Martin Brandlmayrs Stück werden die instrumentalen Improvisationen aufgenommen und räumlich variiert wieder eingespielt, so dass die Musiker immer wieder aufs neue in Relation zu dem selbst Gespielten und dem gerade neue Entstehenden agieren.
Werner Dafeldecker verwendet Aufnahmen eines Blizzards, den er an der Antarktis erlebt hat.
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