Auch ein namentlich Unbekannter, ( Anonymus :
Ocular Harpsichord), Edme-Gilles Guyot (Musique oculaire), Johann Samuel Halle (Farbenleyer) sowie Karl von Eckartshausen (Farborgel) entwarfen in der Nachfolge Castels ähnliche Apparaturen.
Dabei wurde gegen Ende des 18. Jahrhunderts zunehmend die Idee einer emotionalen Wirkung der Farben bedeutsam.
www.see-this-sound.atIn 1739, Castel ’s Clavecin became known in Germany through a brochure issued by the composer Georg Philipp Telemann, who had visited Castel in Paris and viewed a preliminary version of his instrument. [ 2 ] The naturalist Johann Gottlob Krüger thereupon occupied himself with his own Farbenclavecymbel, and in 1743 published the first ever sketch of a color organ.
An anonymous (Ocular Harpsichord), Edme-Gilles Guyot (Musique oculaire), Johann Samuel Halle (Farbenleyer), as well as Karl von Eckartshausen also designed similar devices modeled on Castel’s Clavecin.
By the late eighteenth century, the notion of an emotional impact of the colors had become increasingly important.
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